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We could come in and be like, ‘Burski just died.’ And then he’s out for the rest of the season.” Pointing out the fact that whatever happens on live television is what goes, Morin says, “We could change story plots. “But we might get so lost that it's just dead air.”
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The pro of going live is that it’s a window into what our tape nights are like, which is also the con.”
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Series creator and executive producer Adam Sztykiel predicts: “We’ll be in the hole 45 million by the end of the night. “So he thinks that if he laughs people will think that he’s having a good time, but we know it’s just because he doesn’t know what to do with his body at the moment.”
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“And he gets really insecure,” adds Glassman. Worst case scenario: I swear too much and I cost the show 45 million dollars.”įunches jokes, “Brent’s goanna break. I might be like, ‘Oh, I can do this.’ And then I’ll take some weird risks. “But then I’ll definitely mess everything up the same way I messed this sentence up.” He goes on, “I might get cocky. “The worst will be Rick probably, acting-wise,” counters Morin.
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“I think we all know who the problem child is.” She is referring of course to Morin, the resounding answer from cast and crew alike when asked who would screw up first, worst and most. “We’ve definitely been threatened about that,” says Mendler, referring to the costly fines. “It’s like $270,000 per affiliate or something, so seven million dollars per curse.” “Our line producer did the math on how much cursing costs in a live show,” says Lawrence, pointing out a swear jar kept on set as a reminder. So what is there to be afraid of? A lot, as it turns out including fines from the FCC. And Bridgit Mendler (Candace), singer and YouTube star, performs in concert regularly. David Fynn (Brett) has performed in live theater, including the production She Stoops to Conquer, a National Theatre Live staging which was broadcast to cinemas around the world. Series stars Chris D’Elia (Danny), Brent Morin (Justin), Ron Funches (Shelly) and Rick Glassman (Burski) are all stand-up comedians and perform regularly in front of live audiences, sometimes numbering in the thousands. The ace up Undateable’s sleeve, however, is a cast of performers well-versed in live shows of all kinds. NBC Entertainment chairman Bob Greenblatt has even described himself as a “live junkie.” Undateable also appears on a network that has famously embraced live television: Saturday Night Live special episodes of ER and 30 Rock and musicals: Peter Pan, The Sound of Music and this December, The Wiz. The test episode had succeeded in both receiving a ratings bump and garnering critical praise. In fact, following the star-studded episode, the series was picked up for an all-live third season, premiering this Friday, October 9. If they tune in for this, with upfronts next week, the show will get picked up. Lawrence predicted, “We think we’ll get a sampling of people that don’t know this show exists. The special was presented as a kind of 1960’s throwback, more variety hour than muti-cam sitcom, with guest spots from musician Ed Sheeran, Scrubs alums Zach Braff and Donald Faison, Kate Walsh, Scott Foley and Minnie Driver. Then, series showrunner and executive producer Bill Lawrence ( Spin City, Scrubs) offered up what looked like a May sweeps gimmick: an hour-long live episode, the first of its kind. It began as a toss-away summer program in 2014 about a group of 30-somethings solving one another’s problems in a Detroit bar.īut NBC’s Undateable soon became the highest rated summer comedy launch in years, quickly earning a second season renewal.